வழி

வழி

வாழ்க்கை ஒரு நீண்ட வழி பயணமா? குறுகிய வழி பயணமா? என்ற ஆய்வு இருக்க! வழியைத் தேடி திரியும் மானிடம்!

உயிரினம் பல வழி உணவாக முடிய! உணவை தேடி வழியோடும் மானிடம்!

ஆட்டின் வழி உணவு எனில்! இறக்கவா பிறந்தோமென வினவும் மானிடம்!!

வலி தான் வழியோ?...

ராஜசேகரன் போஸ்

The Nightingale (Samuel Taylor Coleridge)

The Nightingale

By SAMUEL TAYLOR COLERIDGE (1772–1834)

NO cloud, no relique of the sunken day
Distinguishes the West, no long thin slip
Of sullen light, no obscure trembling hues.
Come, we will rest on this old mossy bridge.
You see the glimmer of the stream beneath,                                                               5
But hear no murmuring: it flows silently,
O’er its soft bed of verdure. All is still,
A balmy night! and though the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find                                                     10
A pleasure in the dimness of the stars.
And hark! the Nightingale begins its song,
‘Most musical, most melancholy’ bird!
A melancholy bird? Oh idle thought!
In Nature there is nothing melancholy.                                                                     15
But some night-wandering man whose heart was pierced
With the remembrance of a grievous wrong,
Or slow distemper, or neglected love,
(And so, poor wretch! fill’d all things with himself,
And made all gentle sounds tell back the tale                                                             20
Of his own sorrow) he, and such as he,
First named these notes a melancholy strain:
And many a poet echoes the conceit;
Poet who hath been building up the rhyme
When he had better far have stretched his limbs                                                     25
Beside a brook in mossy forest-dell,
By sun or moon-light, to the influxes
Of shapes and sounds and shifting elements
Surrendering his whole spirit, of his song
And of his fame forgetful! so his fame                                                                     30
Should share in Nature’s immortality,
A venerable thing! and so his song
Should make all Nature lovelier, and itself
Be loved like Nature! But ’twill not be so;
And youths and maidens most poetical,                                                                    35
Who lose the deepening twilights of the spring
In ball-rooms and hot theatres, they still
Full of meek sympathy must heave their sighs
O’er Philomela’s pity-pleading strains.
My Friend, and thou, our Sister! we have learnt                                                    40
A different lore: we may not thus profane
Nature’s sweet voices, always full of love
And joyance! ’Tis the merry Nightingale
That crowds, and hurries, and precipitates
With fast thick warble his delicious notes,                                                            45
As he were fearful that an April night
Would be too short for him to utter forth
His love-chant, and disburthen his full soul
Of all its music!

                And I know a grove
Of large extent, hard by a castle huge,                                                                    50
Which the great lord inhabits not; and so
This grove is wild with tangling underwood,
And the trim walks are broken up, and grass,
Thin grass and king-cups grow within the paths.
But never elsewhere in one place I know                                                            55
So many nightingales; and far and near,
In wood and thicket, over the wide grove,
They answer and provoke each other’s songs,
With skirmish and capricious passagings,
And murmurs musical and swift jug jug,                                                           60
And one low piping sound more sweet than all—
Stirring the air with such an harmony
That should you close your eyes, you might almost
Forget it was not day! On moonlight bushes,
Whose dewy leaflets are but half disclosed,                                                           65
You may perchance behold them on the twigs,
Their bright, bright eyes, their eyes both bright and full,
Glistening, while many a glow-worm in the shade
Lights up her love-torch.

                A most gentle Maid,
Who dwelleth in her hospitable home                                                                   70
Hard by the castle, and at latest eve
(Even like a Lady vowed and dedicate
To something more than Nature in the grove)
Glides through the pathways; she knows all their notes,
That gentle Maid! and oft, a moment’s space,                                                   75
What time the moon was lost behind a cloud,
Hath heard a pause of silence; till the moon
Emerging, hath awakened earth and sky
With one sensation, and those wakeful birds
Have all burst forth in choral minstrelsy,                                                           80
As if some sudden gale had swept at once
A hundred airy harps! And she hath watched
Many a nightingale perch giddily
On blossomy twig still swinging from the breeze,
And to that motion tune his wanton song                                                           85
Like tipsy joy that reels with tossing head.

Farewell, O Warbler! till to-morrow eve,
And you, my friends! farewell, a short farewell!
We have been loitering long and pleasantly,
And now for our dear homes.—That strain again!                                                   90
Full fain it would delay me! My dear babe,
Who, capable of no articulate sound,
Mars all things with his imitative lisp,
How he would place his hand beside his ear,
His little hand, the small forefinger up,                                                                   95
And bid us listen! And I deem it wise
To make him Nature’s play-mate. He knows well
The evening-star; and once, when he awoke
In most distressful mood (some inward pain
Had made up that strange thing, an infant’s dream),                                         100
I hurried with him to our orchard-plot,
And he beheld the moon, and, hushed at once,
Suspends his sobs, and laughs most silently,
While his fair eyes, that swam with undropped tears,
Did glitter in the yellow moon-beam! Well!—                                                 105
It is a father’s tale: But if that Heaven
Should give me life, his childhood shall grow up
Familiar with these songs, that with the night
He may associate joy.—Once more, farewell,
Sweet Nightingale! once more, my friends! farewell.                                         110


Source: The Nightingale (bartleby)

Ode to a Nightingale (John Keats)

Ode to a Nightingale

BY JOHN KEATS

My heart aches, and a drowsy numbness pains
         My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
         One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
         But being too happy in thine happiness,—
                That thou, light-winged Dryad of the trees
                        In some melodious plot
         Of beechen green, and shadows numberless,
                Singest of summer in full-throated ease.

O, for a draught of vintage! that hath been
         Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
         Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
         Full of the true, the blushful Hippocrene,
                With beaded bubbles winking at the brim,
                        And purple-stained mouth;
         That I might drink, and leave the world unseen,
                And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
         What thou among the leaves hast never known,
The weariness, the fever, and the fret
         Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
         Where youth grows pale, and spectre-thin, and dies;
                Where but to think is to be full of sorrow
                        And leaden-eyed despairs,
         Where Beauty cannot keep her lustrous eyes,
                Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
         Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
         Though the dull brain perplexes and retards:
Already with thee! tender is the night,
         And haply the Queen-Moon is on her throne,
                Cluster'd around by all her starry Fays;
                        But here there is no light,
         Save what from heaven is with the breezes blown
                Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
         Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
         Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
         White hawthorn, and the pastoral eglantine;
                Fast fading violets cover'd up in leaves;
                        And mid-May's eldest child,
         The coming musk-rose, full of dewy wine,
                The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
         I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
         To take into the air my quiet breath;
                Now more than ever seems it rich to die,
         To cease upon the midnight with no pain,
                While thou art pouring forth thy soul abroad
                        In such an ecstasy!
         Still wouldst thou sing, and I have ears in vain—
                   To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
         No hungry generations tread thee down;
The voice I hear this passing night was heard
         In ancient days by emperor and clown:
Perhaps the self-same song that found a path
         Through the sad heart of Ruth, when, sick for home,
                She stood in tears amid the alien corn;
                        The same that oft-times hath
         Charm'd magic casements, opening on the foam
                Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
         To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
         As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
         Past the near meadows, over the still stream,
                Up the hill-side; and now 'tis buried deep
                        In the next valley-glades:
         Was it a vision, or a waking dream?
                Fled is that music:—Do I wake or sleep?

The Highland Broach (William Wordsworth)

The Highland Broach 

BY WILLIAM WORDSWORTH

If to Tradition faith be due,
And echoes from old verse speak true,
Ere the meek Saint, Columba, bore
Glad tidings to Iona's shore,
No common light of nature blessed
The mountain region of the west,
A land where gentle manners ruled
O'er men in dauntless virtues schooled,
That raised, for centuries, a bar
Impervious to the tide of war;
Yet peaceful Arts did entrance gain
Where haughty Force had striven in vain,
And, 'mid the works of skilful hands,
By wanderers brought from foreign lands
And various climes, was not unknown
The clasp that fixed the Roman Gown;
The Fibula, whose shape, I ween,
Still in the Highland Broach is seen,
Worn at the breast of some grave Dame
On road or path, or at the door
Of fern-thatched Hut on heathy moor:
But delicate of yore its mould,
And the material finest gold;
As might beseem the fairest Fair,
Whether she graced a royal chair,
Or shed, within a vaulted Hall,
No fancied lustre on the wall
Where shields of mighty Heroes hung,
While Fingal heard what Ossian sung.

The heroic Age expired - it slept
Deep in its tomb: - the bramble crept
O'er Fingal's hearth; the grassy sod
Grew on the floors his Sons had trod;
Malvina! where art thou? Their state
The noblest-born must abdicate,
The fairest, while with fire and sword
Come Spoilers - horde impelling horde,
Must walk the sorrowing mountains, drest
By ruder hands in homelier vest,
Yet still the female bosom lent,
And loved to borrow, ornament;
Still was its inner world a place
Reached by the dews of heavenly grace;
Still pity to this last retreat
Clove fondly; to his favourite seat
Love wound his way by soft approach,
Beneath a massier Highland Broach.

When alternations came of rage
Yet fiercer, in a darker age;
And feuds, where, clan encountering clan,
The weaker perished to a man;
For maid and mother, when despair
Might else have triumphed, baffling prayer,
One small
possession
lacked not power,
Provided in a calmer hour,
To meet such need as might befall -
Roof, raiment, bread, or burial:
For woman, even of tears bereft,
The hidden silver Broach was left.

As generations come and go,
Their arts, their customs, ebb and flow;
Fate, fortune, sweep strong powers away,
And feeble, of themselves, decay;
What poor abodes their heir-loom hide,
In which the castle once took pride!
Tokens, once kept as boasted wealth,
If saved at all, are saved by stealth.
Lo! ships, from seas by nature barred,
Mount along ways by man prepared;
And in far-stretching vales, whose streams
Seek other seas, their canvas gleams.
Lo! busy towns spring up, on coasts
Thronged yesterday by airy ghosts;
Soon, like a lingering star forlorn
Among the novelties of morn,
While young delights on old encroach,
Will vanish the last Highland Broach.

But when, from out their viewless bed,
Like vapours, years have rolled and spread
And this poor verse, and worthier lays,
Shall yield no light of love or praise,
Then, by the spade, or cleaving plough,
Or torrent from the mountain's brow.
Or whirlwind, reckless what his might
Entombs, or forces into light,
Blind Chance, a volunteer ally,
That oft befriends Antiquity,
And clears Oblivion from reproach,
May render back the Highland Broach.



Source: The Oak And The Broom (poemhunter)

The Oak And The Broom (By William Wordsworth)

The Oak And The Broom 

BY WILLIAM WORDSWORTH

A Pastoral

I

HIS simple truths did Andrew glean
Beside the babbling rills;
A careful student he had been
Among the woods and hills.
One winter's night, when through the trees
The wind was roaring, on his knees
His youngest born did Andrew hold:
And while the rest, a ruddy quire,
Were seated round their blazing fire,
This Tale the Shepherd told.

II

'I saw a crag, a lofty stone
As ever tempest beat!
Out of its head an Oak had grown,
A Broom out of its feet.
The time was March, a cheerful noon--
The thaw-wind, with the breath of June,
Breathed gently from the warm south-west:
When, in a voice sedate with age,
This Oak, a giant and a sage,
His neighbour thus addressed:--

III

''Eight weary weeks, through rock and clay,
Along this mountain's edge,
The Frost hath wrought both night and day,
Wedge driving after wedge.
Look up! and think, above your head
What trouble, surely, will be bred;
Last night I heard a crash--'tis true,
The splinters took another road--
I see them yonder--what a load
For such a Thing as you!

IV

''You are preparing as before,
To deck your slender shape;
And yet, just three years back--no more--
You had a strange escape:
Down from yon cliff a fragment broke;
It thundered down, with fire and smoke,
And hitherward pursued its way;
This ponderous block was caught by me,
And o'er your head, as you may see,
'Tis hanging to this day!

V

''If breeze or bird to this rough steep
Your kind's first seed did bear;
The breeze had better been asleep,
The bird caught in a snare:
For you and your green twigs decoy
The little witless shepherd-boy
To come and slumber in your bower;
And, trust me, on some sultry noon,
Both you and he, Heaven knows how soon!
Will perish in one hour.

VI

''From me this friendly warning take'--
The Broom began to doze,
And thus, to keep herself awake,
Did gently interpose:
'My thanks for your discourse are due;
That more than what you say is true,
I know, and I have known it long;
Frail is the bond by which we hold
Our being, whether young or old,
Wise, foolish, weak, or strong.

VII

''Disasters, do the best we can,
Will reach both great and small;
And he is oft the wisest man,
Who is not wise at all.
For me, why should I wish to roam?
This spot is my paternal home,
It is my pleasant heritage;
My father many a happy year,
Spread here his careless blossoms, here
Attained a good old age.

VIII

''Even such as his may be my lot.
What cause have I to haunt
My heart with terrors? Am I not
In truth a favoured plant!
On me such bounty Summer pours,
That I am covered o'er with flowers;
And, when the Frost is in the sky,
My branches are so fresh and gay
That you might look at me and say,
This Plant can never die.

IX

''The butterfly, all green and gold,
To me hath often flown,
Here in my blossoms to behold
Wings lovely as his own.
When grass is chill with rain or dew,
Beneath my shade, the mother-ewe
Lies with her infant lamb; I see
The love they to each other make,
And the sweet joy which they partake,
It is a joy to me.'

X

'Her voice was blithe, her heart was light;
The Broom might have pursued
Her speech, until the stars of night
Their journey had renewed;
But in the branches of the oak
Two ravens now began to croak
Their nuptial song, a gladsome air;
And to her own green bower the breeze
That instant brought two stripling bees
To rest, or murmur there.

XI

'One night, my Children! from the north
There came a furious blast;
At break of day I ventured forth,
And near the cliff I passed.
The storm had fallen upon the Oak,
And struck him with a mighty stroke,
And whirled, and whirled him far away;
And, in one hospitable cleft,
The little careless Broom was left
To live for many a day.'


Source: The Oak And The Broom (poemhunter)

The Unknown Bird (By Edward Thomas)

The Unknown Bird

BY EDWARD THOMAS

Three lovely notes he whistled, too soft to be heard
If others sang; but others never sang
In the great beech-wood all that May and June.
No one saw him: I alone could hear him
Though many listened. Was it but four years
Ago? or five? He never came again.

Oftenest when I heard him I was alone,
Nor could I ever make another hear.
La-la-la! he called, seeming far-off—
As if a cock crowed past the edge of the world,
As if the bird or I were in a dream.
Yet that he travelled through the trees and sometimes
Neared me, was plain, though somehow distant still
He sounded. All the proof is—I told men
What I had heard.

                                   I never knew a voice,
Man, beast, or bird, better than this. I told
The naturalists; but neither had they heard
Anything like the notes that did so haunt me,
I had them clear by heart and have them still.
Four years, or five, have made no difference. Then
As now that La-la-la! was bodiless sweet:
Sad more than joyful it was, if I must say
That it was one or other, but if sad
'Twas sad only with joy too, too far off
For me to taste it. But I cannot tell
If truly never anything but fair
The days were when he sang, as now they seem.
This surely I know, that I who listened then,
Happy sometimes, sometimes suffering
A heavy body and a heavy heart,
Now straightway, if I think of it, become
Light as that bird wandering beyond my shore.


Source: The Unknown Bird (poetry foundation)

The World in the Evening (By Rachel Sherwood)

The World in the Evening

BY RACHEL SHERWOOD

As this suburban summer wanders toward dark
cats watch from their driveways — they are bored
and await miracles. The houses show, through windows
flashes of knife and fork, the blue light
of televisions, inconsequential fights
between wife and husband in the guest bathroom

voices sound like echoes in these streets
the chattering of awful boys as they plot
behind the juniper and ivy, miniature guerillas
that mimic the ancient news of the world
and shout threats, piped high across mock fences
to girls riding by in the last pieces of light

the color of the sky makes brilliant reflection
in the water and oil along the curb
deepened aqua and the sharp pure rose of the clouds
there is no sun or moon, few stars wheel
above the domestic scene — this half-lit world
still, quiet calming the dogs worried by distant alarms

there — a woman in a window washes a glass
a man across the street laughs through an open door
utterly alien, alone. There is a time, seconds between
the last light and the dark stretch ahead, when color
is lost — the girl on her swing becomes a swift
apparition, black and white flowing suddenly into night.



Rachel Sherwood, "The World in the Evening" from Mysteries of Afternoon and Evening. Copyright © 1981 by David Trinidad. Reprinted by permission of David Trinidad.

Source: Mysteries of Afternoon and Evening (Sherwood Press/Yarmouth Press, 1981)